Abstract
Introduction: reading and writing the End of the World 1. Verbal magic: an etymology of female enthusiasm 2. The second coming of Hester Lynch Piozzi 3. 'I, being the representative of liberty': Helen Maria Williams and the Utopian performative 4. The passion of the Gothic heroine: Ann Radcliffe and the origins of narrative 5. Anna Barbauld as Enlightenment prophet 6. Prophesying tragedy: Mary Shelley and the end of Romanticism Epilogue.
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