Abstract

The vocal and chamber work of the outstanding Ukrainian composer of the 20th century Viktor Kosenko is a reflection of the lyrical musical and poetic features of his artistic world. For the author, this is a field of constant search for new means of musical expression and at the same time a solid base for mastering the traditions of past and present creative achievements. That is why romances occupy an important place in the composer's work.
 Romantic lyrics dominated his work until the end of the 1920s, but still Viktor Kosenko's romances have not lost their relevance. The music complements the experience of the modern listener with numerous allusions to the romantic era. It sometimes resemblessty listic fusion sof elements of the music allanguage of composers of the past – S. Rachmaninov, P. Tchaikovsky, O. Scriabin, impresses with a palette of harmonious colors of late romanticism, impressionism, which shows the directions of the composer's musical and aesthetic preferences, especially in harmony. It is this important aspect that remains the least studied in musicology, therefore the study of harmonic phenomena in Vіktor Kosenko's chamber and vocal lyrics has all the signs of relevance.

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