Abstract
shows how expressivism is historically related to romanticism and interprets this connection in a positive light. It historicizes and then theorizes some of the primary texts in the romantic/expressivist tradition of language study and production. The book connects William Wordsworth, Samuel Taylor Coleridge, Matthew Arnold, John Stuart Mill, and John Dewey, among others, with contemporary compositionists such as Donald Murray, Ann Berthoff, James Britton, and Peter Elbow. Using the history of romanticism, the author shows how expressivism relates to social construction and argues that reclaiming a romantic heritage enriches contemporary composition theories. By historicizing the expressivist tradition and connecting the texts of both the romantic poets and Mill, Arnold, and Dewey with education in their times and ours, demands a reconsideration of the expressivist composition theories that have been berated and misunderstood for the past few years. This book is the first to re-examine our understanding of what it means to be romantic, while connecting that new understanding to both education in general and writing instruction in particular. It does not ignore or simplify the current arguments condemning expressivism, but devotes considerable thought to the summary of and response to critics of expressivism. is an important book for scholars, theorists, practitioners of composition, and graduate students. Those devoted to the academic discourse, social constructivism/social-epistemic approach to teaching and scholarship will find Romancing Rhetorics inspiring reading.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have