Abstract
The aim of the paper is to explore the role of art in politics and understand the limitations of the liberal model of state with respect to aesthetic freedom. This paper critically engages with the claim that political action should be directed towards specific goals that can be rationally justified. It argues that this approach is exclusionary in nature as it leaves little room for art and creative communication. It attempts to do so through the contrasting philosophies of Popper and Marcuse.
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