Abstract
This article traces the historical development of Chris Rojek's writing and documents his distinctive contribution to contemporary debates about postmodern culture. Rojek has consistently sought to develop a coherent sociology of leisure and has sought to apply his sociological imagination to develop leisure studies as a field of study. However, there seems to be an ambivalence or reluctance to engage with Rojek's work on leisure theory. From the outset, his work is both critical and subversive as he challenges ‘conventional wisdom’, which associates leisure with free time and freedom. He argues that both concepts need to be contextualized and any quest for a universal theory of leisure is both illusory and idealistic - one cannot dislocate free time or quality of experience from the social and historical context in which it occurs. Rojek also takes to task critical paradigms of feminism and cultural studies, whilst favouring the contribution that postmodern perspectives can make to understanding leisure practices. The article traces the development of his ideas theorising about leisure by reviewing his seminal texts, Capitalism and Social Theory (1985), Ways of Escape (1993), Decentring Leisure (1995) and most recently, Leisure and Culture (2000).
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