Abstract
A pesar de los pocos e incompletos manuscritos autógrafos que conservamos del dramaturgo toledano, estos documentos se revelan como interesantes fuentes de información que dan cuenta de su manera de concebir el fenómeno de la composición teatral y su posterior representación. En el presente artículo estableceremos definitivamente su corpus de textos autógrafos y analizaremos sus rasgos compositivos.
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