Abstract
«“Rognon à la mode" : Her Horniness the Pig’s Sacrificial Flesh » When the flesh becomes picture, we attend the birth of different levels of representation. Actualy, the flesh, this unthinkable witch constitutes us and through wich we live, establishes a dialectic of pleasure and death, unsizable as a concept or a philosophical idea. Thus, it’ s around the pig figure as a image of the human being that the work of re-presentation is articulated. Redoundante and monstruous, funny and tragic, this figure is able to cristalise questions of sexe, erotism and death on a distanced mode witch allows laugh and derision.
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