Rock on reel: The rise and fall of the rock culture in America reflected in a decade of ?rockumentaries?

Abstract

This article analyzes the filmic representation of the rise and demise of the American rock/youth culture of the 1960s through several popular “rockumentaries.” This article explores the ways in which popular film and music both reflect and define political and cultural movements in advanced industrial societies by comparing and contrasting the plots and narrative techniques of films such asMonterey Pop (1968),Woodstock (1970),Gimme Shelter (1971) andThe Last Waltz (1978). We all remember that time. It was so different for me than for others. Yet we all do tell each other over and over again the peculiarity of the events we shared, and the repetition, the listening, is as if we are saying, “It was like that for you, too? Then that confirms it, yes, it was so, it must have been, I wasn't imagining things.” Doris Lessing,The Memoirs of A Survivor (1974)