Abstract
Robert Talbot Kelly, through his art and his 1905 publication, Burma Painted and Described , provides a visual and textual account of colonial Burma that was subsequently marketed in England and America. Travelogues served as a form of voyeuristic education about the exotic for the stay-at-home adventurer. Postcolonial scholarship, to some degree assisted by Edward Said's Orientalism , now permits a reanalysis of both the art and the written texts of travel literature for what they say about cultural attitudes during the age of high imperialism, and in particular about Kelly's use of the word picturesque as a literary and artistic descriptor.
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