Abstract
In his commentary on Lombardʼs Sentences, question 1, Robert Halifax OFM presents a remarkably original and inventive optical argument. It compares two pairs of luminous and opaque bodies with two shadow cones until the luminous bodies reach the zenith. In placing two moving human beings into the shadow cones whose moral evolution parallels the size of the shadows, Halifax creates an unprecedented shadow theater equipped with mathematics and theorems of motion from Thomas Bradwardineʼs Treatise on Proportions. This paper is a first attempt at analyzing this imaginary experiment and the mathematics of the infinite it implies. It also shows that optics had new aims through its connexion with the theorems of motion of the Oxford Calculators.
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