Abstract
The present work intends to analyze the documentary from the point of view of the historiography of cinema, with a reference that takes into account the legacy of the Dialectical Program, above all the contributions of André Bazin, one of the main theorists of realism in cinema. For this reason, he uses the work of Robert Flaherty, with special focus on Louisiana Story, because this is one of Flaherty's films that has a narrative very close to fiction cinema.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
