River(s) Wear: Water in the Expanded Field

Abstract

This article elaborates on an artist-in-residence project funded by the Leverhulme Trust in the Geography Department at Durham University in 2015–16. The project confronted artistic and scientific perspectives to investigate how people in the North-East of England perceive and value their river environments and to recognize potential contributions to catchment management. The project identified a variety of disconnexions and hierarchies in the River Wear catchment and formulated artistic interventions for nonhuman audiences. This article reflects on water holistically and explores transdisciplinary views to propose water in its expanded field. Water in the Expanded Field is plural, complex, and aims at decentering the human importance. It promotes water multiple perspectives, including the more-than-human world and acknowledging water’s ontological importance, developed by the speculative artistic practice of producing works of art for nonhuman audiences and then transposed to water debates. The article converges distinct evidence pointing to the importance of composting existing knowledge and dualistic reasoning to promote pluriversal ontologies of water.