Abstract
Drawing upon Clifford Geertz’s interpretive approach to ritual, this study examines the meaning of the annual Spring Festival homecoming performed by rural-to-urban migrant workers in China. Built on participant observation of the ritual and in-depth interviews with 25 migrant workers, I suggest that the homecoming is a secular pilgrimage, the meaning of which emerges around travelers’ communication about suffering on the journey and the pursuit of an ideal “home” through communal traveling. This ritual exemplifies symbolic forms of communication used to cope with and make sense of social changes in modern societies.
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