Abstract
El propósito de este artículo es reconsiderar el binomio ritmo/armonía como la segunda causa natural de la imitación en Aristóteles y destacar específicamente la función del ritmo en la estructura mimética, con la intención de demostrar que el ritmo es no sólo natural, sino necesario para el conocimiento, la imitación, la estructuración y la emoción poética.
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