Abstract

This paper outlines the background of the abolition of restrictions on foreign film imports and the influence of this action in Korea and Japan. In order to develop this argument, the paper focuses on policy tendencies, the structure of the film industry, and the reactions of the film industry players in each country. In Korea, the decision provoked an outcry and street demonstrations from both civil society as well as the film industry players. By contrast, in Japan, not only was opposition to liberalization rarely expressed, but some people actually demanded liberalization. The author analyzes the reasons why the players in each country reacted in different ways to similar policy decisions, through two types of models, the ‘market-led model’ of Japan and the ‘government-led model’ of Korea.

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