Abstract
L'ange du Méridien“ is the first in the group of six Chartres-poems in Rilke's Neue Gedichte. It thus occupies a place of honor among the poems which make up the Chartres-cycle. Rilke always devoted much thought and care to the technical questions of the order and arrangement of the poems within his printed works. He must have felt that ”L'Ange du Méridien“ deserved to be first for specific reasons. He must have intended to give particular emphasis to it. We may assume that he meant it to serve as a kind of musical signature or prelude for the other poems of the group, to ”set the tone“ for them. A thematic analysis of the Chartres-cycle might show that, in fact, many of the basic motifs which occur in the other poems are introduced in ”L'Ange du Méridien.“
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