Abstract
Laura Riding Jackson is one of the influential poets of the early twentieth century in America. As a matter of fact, it is for her poetry, however, that Riding is best known, and her poems reflect her commitment to write with truth. In the other words, she knows poetry a process of a degree of awareness to recognize the capacity to know selfhood. Further, her accuracy as a writer lies in her extreme seriousness about the act of writing poems, with no attention to the outside. Nevertheless, the critics know her poems as a game, not something valuable to consider. Therefore, in the heart of traditional poetic language of masculinity, she continues her way of 'female phase' of Showalter, toward poetic history. Showalter's gynocritism is a framework for women in which a woman can judge a woman's literature womanly. Present research is looking at Laura Riding Jackson's some poems through Showalter's cultural view of 'female phase' of her gynocriticism.
Highlights
Laura Riding Jackson was born in 1901 in New York City, and she dies in 1991 in Florida
Women have influenced on the literature of their time, they impress on the early twentieth century period
The researcher is going to demonstrate such an impression in Laura Riding Jackson's poems and how she as a poetic character has changed the content of traditional poetry, she accepts the modernist form
Summary
Laura Riding Jackson was born in 1901 in New York City, and she dies in 1991 in Florida. ©TechMind Research Society psychology and applied theories of music and painting, physical science and so on"[10] On the contrary, she continues with Robert Graves writing histories and stories rather than poetry. Seeking truth is something she permanently considers, seeking self in the world of truth, she means She leaves writing poetry, while she wants to continue her living. The researcher is going to demonstrate such an impression in Laura Riding Jackson's poems and how she as a poetic character has changed the content of traditional poetry, she accepts the modernist form. There are very many critics and writers to write about Laura Riding Jackson's poetry. Ella Zohar Ophir's essay; The Laura Riding Question: Modernism, Poetry, and Truth, she discusses about her poems and life and how they are interactive that separation of them is impossible. The first type is concern with woman as reader- with the woman as the consumer of male... the second type of feminist criticism is concerned with woman as writer- with woman as the producer of textual meaning,
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