Abstract
ABSTRACTThis essay draws on two extended oral histories in comparing and contrasting two African American visual artists based in Greater Pittsburgh, Thaddeus Mosley and Elizabeth Asche Douglas. By probing the artistic and activist careers of both, the essay explores how the interrelated dimensions of their lives and art overlap with the context of African American life in mid-century Pittsburgh.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
