Abstract
Henri Lefebvre's Rhythmanalysis, while typically loose and underdeveloped as a work, offers a highly suggestive way of thinking about mobility and pattern within spatiality, and also alerts our attention to the importance of temporal rhythms. This paper is concerned with the rhythms of history within the city, notably how heritage gets made, remade and unmade within the city as a form of archive. Comparing Lefebvre's concept of rhythm to that of noise in Michel Serres (notably in his book Genesis), I explore the meaning of urban heritage – in which the past is made present – analysing how the past can interrupt the present within the city and how that opens up possibilities for critical reception and potential alternative urban futures.
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