Abstract
Foreword Mary Lou Emery Introduction Mary Wilson and Kerry L. Johnson PART I: ALTERNATIVES AND ALTERITIES: MARKET, TIME, LANGUAGE 1. Menu, Memento, Souvenir: Suffering and Social Imagination in Good Morning, Midnight Andrea Zemgulys 2. Clockwork Women: Temporality and Form in Jean Rhys's Interwar Novels Nicole Flynn 3. Language and Belonging in Jean Rhys's Voyage in the Dark Ania Spyra PART II: BEING AND BELIEVING: JUDEO-CHRISTIAN INFLUENCES AND IDENTITIES 4. Religion and Rhys Steve Pinkerton 5. Pride, No Name, No Face, No Country: Jewishness and National Identity in Good Morning, Midnight Jess Issacharoff PART III: THE LOCATION OF IDENTITY: WRITING SPACE AND PLACE 6. The Country and the City in Jean Rhys's Voyage in the Dark Regina Martin 7. '...that misty zone which divides life from death': The Concept of the Zombi in Jean Rhys's Short Fiction Melanie Otto 8. Reclaiming the Left Bank: Jean Rhys's 'Topography' in Left Bank and Quartet David Armstrong PART IV: PLEASURE, POWER, HAPPINESS 9.The Trouble with 'Victim': Triangulated Masochism in Jean Rhys's Quartet Jennifer Mitchell 10. The Good Life Will Start Again: Rest, Return, and Remainder in Good Morning, Midnigh t Andrew Kalaidjian 11. The Un-happy Short Story Cycle: Jean Rhys's Sleep it off, Lady Paul Ardoin
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