Abstract

This article investigates the relationship between the early Abbassid poet and his patron. Instead of focusing on verbal interactions or on the circulation of wealth between them, it analyses the spatial positions of both parties, which contribute too to negotiate the distance between them. This proxemics starts from the door of the patron who, even if he cannot be seen at this stage, is not totally absent and organises the entrance screening and therefore guarantees access to the poets who accept the rules of the game. Once in front of the patron, the contender’s behaviour and the expression of his pretences is organised by a set of rules of precedence and propriety. Eventually, separation is also strictly regulated in order to avoid a crisis. All these various forms of control ensure the efficient and generally peaceful functioning of the patronal institution.

Highlights

  • This article investigates the relationship between the early Abbassid poet and his patron

  • Instead of focusing on verbal interactions or on the circulation of wealth between them, it analyses the spatial positions of both parties, which contribute too to negotiate the distance between them. This proxemics starts from the door of the patron who, even if he cannot be seen at this stage, is not totally absent and organises the entrance screening and guarantees access to the poets who accept the rules of the game

  • Once in front of the patron, the contender’s behaviour and the expression of his pretences is organised by a set of rules of precedence and propriety

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Summary

Mathias Hoorelbeke

Institut national de langues et civilisations orientales Centre d’études et de recherches Moyen-Orient Méditerranée. Instead of focusing on verbal interactions or on the circulation of wealth between them, it analyses the spatial positions of both parties, which contribute too to negotiate the distance between them. This proxemics starts from the door of the patron who, even if he cannot be seen at this stage, is not totally absent and organises the entrance screening and guarantees access to the poets who accept the rules of the game. Separation is strictly regulated in order to avoid a crisis All these various forms of control ensure the efficient and generally peaceful functioning of the patronal institution

MATHIAS HOORELBEKE
La porte du prince
Audiences collectives
Comparutions individuelles
La compagnie du prince
Prendre congé
Conclusion
Full Text
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