Abstract
1. Deleuze and the Occult Though it has been claimed that Deleuze sought to delink his thought from all religion (Bryden), a close examination of his major writings, as well as his collaborative work with Guattari, shows that he was closely attuned to the subterranean mystical currents that pervade Western religiosity, often running counter to the dogmas of surface theology and not infrequently becoming entangled with sorcery and things un-faithful. Deleuze was steeped in the esoteric and the occult, as a brief perusal of the “1730: Becoming-Intense, Becoming-Animal” plateau in A Thousand Plateaus (henceforth “ATP”) makes obvious (Kerslake Occult Unconscious, Somnabulist; Reggio), and consistently references their French artistic/literary and German Idealist derivations and offshoots (e.g. Novalis, Schelling, Artaud, Klossowski). Nevertheless, he seemingly taunts his readers by burying important (but uncited) nods to the likes of Hermeticist Giordano Bruno and Tarot revivalist Court de Gebelin deep inside Difference and Repetition (henceforth “DR”) and the Logic of Sense (henceforth “LS”). One has to know one’s way around the literature of mathesis universalis, hermeticism, and the 19 th -century European occult revival (see, for example,
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