Abstract
Abstract One of the contributing factors to the Romantic reconceptualization of poetical work and of literary genius is a modernisation of the concept of property in the course of the 18th century. In the texts of English Romanticism in general and of William Wordsworth in particular, this modernisation inaugurates a new rhetoric of property for which two factors are decisive: firstly, the reversibility of possessors and possessed and, secondly, the proclamation of imaginary possessions that might also be designated as „phantom properties“.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
