Abstract
In the opinion of the late Thomas R. Lounsbury, Chaucer was virtually “free from these verbal quibbles which characterize to so marked a degree the language of the Elizabethan dramatists.” “The single instance,” he went on to say, “in which he furnishes any noticeable example of this sort is the play upon the word ‘style’ in the Squire's tale; though there is possibly one of the same character in a line in ‘Troilus and Cressida,‘ where it is said that‘This Calkas knew by calkulynge,‘ i., 71that Troy was to be taken. Still, from conceits of all kinds and of all grades Chaucer's language, at every period of his literary career, was in general wholly free.“
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