Abstract
One of the main concerns of Plato's Phaedrus is rhetoric. This concern pervades the dialogue right from the opening scene, where Phaedrus – someone with an obsessive and conspicuously superficial attachment to speech-making – is seen taking a walk in the country, having just come from hearing the great orator Lysias deliver a display speech (πíδϵιξις). There follows a sequence of three speeches: Phaedrus' reading of Lysias' speech, followed by Socrates' two speeches. In the latter half of the dialogue, the scene shifts from a presentation of rhetoric to an extended discussion about rhetoric. In particular, it presents an extended critique of contemporary rhetoric, and outlines what Plato takes to be the ‘true τχνη’ (techne – ‘art’, ‘craft’, or ‘science’) of rhetoric.
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