Rewriting the Liturgy: the theological implications of translation

Abstract

The transformation of the liturgy of the Catholic Church in the wake of the Second Vatican Council was, by any standard, a landmark event. It represented the unfreezing of a liturgical tradition which had seemed to many to be sacrosanct and immemorial, beyond question or change. Almost a century ago the greatest of all English liturgists, Edmund Bishop, could write without a hint of irony that “With the Missal and Breviary of St Pius V ...the history of the Roman liturgy may be said to be closed”.Bishop himself was too good an historian to harbour romantic illusions about the timelessness or changelessness of liturgy. He had a highly developed sense of the historical evolution of worship and in fact he was a strong sympathiser and fellow-traveller with the Modernist movement, and its attempt to demythologise the doctrinaire nonhistorical orthodoxy of post-Tridentine Catholicism. But neither Bishop nor the two generations of liturgists who laboured after him to reclaim for the present the forgotten riches of the Latin liturgical tradition could have dreamed of the cultural and theological revolution which would come upon the Church in the late 1960s and 1970s, a revolution which swept away not only many of the accretions of medieval and baroque liturgical and para-liturgical practice which they so deplored, but many of their own most treasured convictions about the nature of liturgy and liturgical theology. They hoped that the liturgy, duly cleansed of accretion and distortion, would become, in Joseph Jungmann’s words, “a school of faith”. In the ancient prayers and ceremonies of the Church, Jungmann believed, would be found an endless resource, a great well of wisdom and truth.