Abstract
Since the release of Kubrick's film in 1962 visual representations of Lolita have proliferated. Yet, such visualisations tend to re-signify ‘Lolita’, departing significantly from the way she is constructed in Nabokov's novel. This article considers why the figure of ‘Lolita’ fits so seamlessly into the logic of the fashion media in the West. It points to the fashion industry's fixation with the ‘woman-child’ and infantilisation, as well as the centrality of clothing and consumption in Nabokov's novel. Particular attention is paid to Marc Jacobs’ advertisement for Oh, Lola!, banned in the UK by the Advertising Standards Agency in 2011. Methodologically, the article presents visual analysis alongside findings from audience studies conducted with female participants.
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