Abstract
AbstractThis article examines the response of Shanghai's cultural bureaucracy during the Attack on the Four Olds, the Red Guard repudiation of old culture launched in the early years of China's Cultural Revolution (1966–76). It focuses on how local officials, acting in a space created by the Central Cultural Revolution Group and the Shanghai Revolutionary Committee, worked to control the damage wrought by the political campaign and justified their activities by adapting the rhetoric of revolution. Based on the archival documents of the Shanghai Bureau of Culture, this article traces the reinvention of the cultural bureaucracy and the subsequent shift in the language of preservation. It argues that during the Cultural Revolution, there was an institutionalized and ideologically legitimated movement to protect historic sites and cultural objects. Faced with the destruction of antiquity, Shanghai officials instead proposed its rectification, defending cultural relics in the name of revolution.
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