Revisiting translation as transculturation: from ancient Chinese origin ‘Djargron’ to global representation ‘Dragon’

Abstract

ABSTRACT This study delves into Maria Tymoczko's theoretical framework concerning translation as a transcultural phenomenon, explicitly focusing on translating the culturally rich term ‘dragon’. It traces the evolution of the English term ‘Dragon’ to its roots in the ancient Chinese term ‘Djargron’ (meaning snake-dragon), showcasing how this cultural motif migrated from ancient China to the West, undergoing transformative exchanges to become a distinct symbol in Western culture. Beginning with a thorough etymological exploration, the research delves into the historical and cultural contexts surrounding the ‘dragon’ motif, examining its origins, development, and symbolic interpretations in Eastern and Western traditions. Emphasizing a source-language-oriented approach to translation, the study underscores the importance of understanding the historical and cultural nuances of ‘dragon’ while incorporating contemporary discourses to convey its cultural connotations accurately. Through case studies, the research demonstrates how innovative translation strategies can enrich cultural dialogue, deepen cultural understanding, and effectively convey the significance of ‘dragons’ in global interactions. By facilitating intercultural exchanges and promoting cultural diversity and confidence, this investigation contributes to theoretical discussions in translation studies and intercultural communication while offering valuable insights for translating culturally significant terms.