Abstract
ABSTRACT T’ongkit’a music grew out of the 1960s Korean youth culture, which was centered on elite university students. Previous studies on t'ongkit’a music often highlight its political and social consciousness, but even in its heyday, t’ongkit’a music’s relationship with political activism was limited and accidental. Though it should not be overlooked that the youth’s music was a new mode of social and aesthetic interaction and communication, its political values and effects are rather a later invention of the progressive popular music researchers
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
