Abstract
Early in The Satanic Verses, Salman Rushdie asks: “How does newness come into the world? […] Of what fusions, translations, conjoinings is it made?” (8) Though the answers to these questions are pursued throughout the novel, one kind of answer is already posed by the question: newness is the product of “fusions, translations, conjoinings.” Similarly, we might apply this question to the creation of texts: How do new texts come into the world? And the answer is the same: from “fusions, translat...
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