Abstract

The black counterpublic, as a space where black people could exercise their discursive contestation and participatory deliberation, has too often served to produce a counter-discourse aiming at defying white hegemonic mode of rule and racialized categorization of members of society. In the same vein, Afrofuturism, as a burgeoning cultural movement in the United States, employs the Afrodiasporic experience as a backdrop against which to contest the white-narrated version of black history and to project a better future for people of African descent. Merging the underlying philosophies of the black counterpublic and Afrofuturism, this paper seeks to advance the notion of the Afrofuturist counterpublic as a more embedded concept that tends to address the past and future of the black experience in a more explicit and overt form. Drawing mainly on Inwood’s representation of the redevelopment project along Auburn Avenue in Atlanta, GA, as a contemporary form of the counterpublic, this article adds to his insights by suggesting that Auburn Avenue as a rehabilitated space is deeply informed by the undergirding tenets of the counterpublic and Afrofuturist theories so as to exalt it to a symbol of an Afrofuturist counterpublic.

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