Abstract

R.J. Golsan: A New History of French Literature was published in 1989, when the effects of the de Man and Heidegger affairs were challenging not only the prevailing critical formalism, but were paving the way for a more ideological or engaged criticism in the 1990s (postcolonialism, gender studies, etc). If you were to undertake or even reconceive your New History, what impact, if any, would these developments have?

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