Abstract
This article studies the documents from Robert Stevenson’s personal archive to review the musicological work concerning the rescue of the Spanish-American colonial musical heritage, driven by the trip that took Stevenson and Samuel Claro Valdés through ecclesiastical archives of South America at the end of 1966. By analyzing the letters that describe this tour and its repercussions we can approach Stevenson’s vision of some aspects of Latin American musicology in the twentieth century.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
