Abstract
The article analyses two suras of the Qur’an (Q. 105 and Q. 106) within the scope of the hypothesis that they initially constituted a textual unity. This assumption was presented by some reports of early Muslim traditions. Several modern researchers also mentioned the thematic coherence of these two suras. Structural analysis of the rhyming endings in both suras and distribution of their thematic units give new insights about supposed previous initial composition of the text. Rhetorical side of the revelation was also analysed according to the concept of emotional plots. These new arguments reinforce the idea that Q. 105 and Q. 106 were revealed as one distinctive piece of the Qur’anic text.
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