Abstract
This essay examines Northern visual culture within and outside art history, particularly in relation to the work of radical Black feminists, Critical Race Theorists, and contemporary artists working in the African diaspora. Instead of providing an overview of writing about race and enslavement within art history, we primarily—and selectively—examine scholarship and artistic interventions beyond art history to consider the need for new methods with which to address the ongoing legacy of race and colonialism in early modern art, the academy, and the museum.
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