Abstract
Since when might we say that the history of art has been changing into the geography of art, and that the discipline, itself, has been changing into an odyssey? We have moved at the speed of light from the ruins of exoticism and colonial disenchantment to collective self-examination and the hybridization of modernism. But between the World Fairs of the past and the Global Art Forums of the present, eras may pass, but words survive, devitalized; it is up to us to re-name challenges, places and...
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