Reviews

Abstract

Medieval Illuminators and their Methods of Work by Jonathan J.G. Alexander, New Haven and London: Yale University Press, 1992, 214 pp., 29 col. plates, 218 b. & w. illus., £35.00Romanesque Architectural Criticism, a Prehistory by Tina Waldeier Bizzarro, Cambridge and New York: Cambridge University Press, 1992, 253 pp., 17 b. and w. illus., £40.00Rainbow like an Emerald. Stained Glass in Lorraine in the Thirteenth and Early Fourteenth Centuries by Meredith Parsons Lillich (Monographs on the Fine Arts sponsored by College Art Association vol. XLVII). Pennsylvania and London: Pennsylvania State University Press, 1991, 161 pp., col. frontispiece, 218 b. & w. illus., £49.50The Mediation of Ornament, The A.W. Mellon Lectures in the Fine Arts 1989 (Bollingen Series XXXV — 38) by Oleg Grabar, Princeton, NJ and London: Princeton University Press, 1992, 309 pp., 23 col. plates, 196 b. & w. illus., £35.00.Corot in Italy. Open‐Air Painting and the Classical‐Landscape Tradition by Peter Galassi, London and New Haven: Yale University Press, 1991, 258 pp., 99 col. plates, 202 b. & w. illus., £35.00True to Temperament: Van Gogh and French Naturalist Literature by Judy Sund, Cambridge and New York: Cambridge University Press, 1992, 336 pp., 16 col. plates, 59 b. & w. illus., £55.00Latin American Art of the 20th Century by Edward Lucie‐Smith, London: Thames and Hudson (World of Art Series), 1993, 216 pp., 38 col. plates, 133 b. & w. illus., £6.95