Abstract
Daryl Chin on Sara Petty and Larry Cuba, Kinetica 3: ion/Animation/Music; Bruce Posner, Unseen Cinema: Early American Avant-Garde Film, 1893–1941; Albert Kilchesty, Big as Life: An American History of 8mm Films; Amaranta Arino and Enrique Camacho, Luis Buñuel: 100 Years, It Is Dangerous to Look Inside; and Chrissie Iles with Thomas Zummer, Into the Light: The Projected Image in American Art, 1964–1977; Charlene Villaseñor Black on Karen Mary Davalos, Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora; Paul Skiff on Branden Hookway with Sanford Kwinter and Bruce Mau, Pandemonium—The Rise of Predatory Locales in the Postwar World; Janine Mileaf on David Joselit, Infinite Regress: Marcel Duchamp, 1910–1941; Ligaya Salazar on Neil Cummings and Marysia Lewandowska, The Value of Things
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