Reviews: Unknown London: Early Modernist Visions of the Metropolis, 1815–45., Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910., the Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theatre, 1900–1940., African American Performance and Theater History: A Critical Reader., Women in British Romantic Theatre: Drama, Performance, and Society, 1790–1840

Katherine Newey,Barbara Lewis,Paula R Backscheider

doi:10.7227/nctf.30.2.6

Reviews: Unknown London: Early Modernist Visions of the Metropolis, 1815–45., Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910., the Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theatre, 1900–1940., African American Performance and Theater History: A Critical Reader., Women in British Romantic Theatre: Drama, Performance, and Society, 1790–1840

Katherine Newey, Barbara Lewis + Show 1 more

https://doi.org/10.7227/nctf.30.2.6

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Journal: Nineteenth Century Theatre and Film

Publication Date: Nov 1, 2003

Affiliation: Lancaster University Ghana, University of Kentucky, Auburn University

#African American Theatre #African Theatre + Show 8 more

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Reviews: Unknown London: Early Modernist Visions of the Metropolis, 1815–45., Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910., the Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theatre, 1900–1940., African American Performance and Theater History: A Critical Reader., Women in British Romantic Theatre: Drama, Performance, and Society, 1790–1840

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