Abstract

Other| April 01 2014 Reviews: Cantus Planus Regensburg, Corpus Antiphonalium Officii-Ecclesiae Centralis Europae, CANTUS: A Database for Latin Ecclesiastical Chant, Global Chant Database, and The CANTUS Index Cantus Planus Regensburg. David Hiley, Project Director. URL: http://www.uni-regensburg.de/Fakultaeten/phil_Fak_I/Musikwissenschaft/cantus/Corpus Antiphonalium Officii-Ecclesiae Centralis Europae [CAO-ECE]. László Dobszay and Gábor Prószéky, Directors. URL: http://www.zti.hu/earlymusic/cao-ece/cao-ece.htmlCANTUS: A Database for Latin Ecclesiastical Chant. Debra Lacoste, Project Manager and Principal Researcher; Jan Koláček, Developer and Research Assistant; Kate Helsen, Research Assistant. URL: http://www.cantusdatabase.orgGlobal Chant Database. Jan Koláček, Director. URL: http://www.globalchant.org/The CANTUS Index. Jan Koláček, Project Director; Debra Lacoste, Project Manager; Elsa De Luca, Co-founder; Kate Helsen, Research Assistant. URL: http://cantusindex.org/ Alison Altstatt Alison Altstatt Alison Altstatt is Assistant Professor of Musicology at the University of Northern Iowa and a specialist in medieval chant. Her 2011 dissertation on the music and liturgy of Kloster Preetz received the AMS-50 award. She has previously published on the medieval sequence and proper office. Her book-in-progress examines the tenth-century proper offices of medieval Eichstätt, mediating between the office's historical, hagiographic, and liturgical contexts, and a musical-poetic analysis of the office as song cycle. Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (2014) 67 (1): 267–285. https://doi.org/10.1525/jams.2014.67.1.267 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Alison Altstatt; Reviews: Cantus Planus Regensburg, Corpus Antiphonalium Officii-Ecclesiae Centralis Europae, CANTUS: A Database for Latin Ecclesiastical Chant, Global Chant Database, and The CANTUS Index. Journal of the American Musicological Society 1 April 2014; 67 (1): 267–285. doi: https://doi.org/10.1525/jams.2014.67.1.267 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the American Musicological Society Search Since the advent of the internet two decades ago, online digital projects in the field of chant studies have emerged which allow unprecedented free access to digital facsimiles, manuscript inventories, and tools for reportorial analysis. These open-access resources save valuable time in locating manuscript concordances and in the comparative analysis of repertoire and variants. They furthermore facilitate two new kinds of reading: the first, a broad survey across a wide sampling of manuscripts made possible by large data collections, and the second, the close examination of individual manuscripts in digital facsimile, unfettered by the constraints posed by traditional archival study. The emergence of such tools has moreover encouraged a refocusing of scholarly interest from the earliest origins of chant to include a diversity of repertoires and practices across space and time. For individual chant scholars, digital resources not only save valuable time and expand the possibilities of comparative research: they... You do not currently have access to this content.

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