Review: Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, by Jeffrey Sconce and Uncanny Bodies: The Coming of Sound and the Origins of the Horror Genre, by Robert Spadoni

Abstract

Book Review| March 01 2010 Review: Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, by Jeffrey Sconce and Uncanny Bodies: The Coming of Sound and the Origins of the Horror Genre, by Robert Spadoni Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, ed. Jeffrey SconceUncanny Bodies: The Coming of Sound and the Origins of the Horror Genre by Robert Spadoni Martin Fradley Martin Fradley Martin Fradley teaches at the University of Manchester, U.K. Search for other works by this author on: This Site PubMed Google Scholar Film Quarterly (2010) 63 (3): 80–81. https://doi.org/10.1525/fq.2010.63.3.80 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Martin Fradley; Review: Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, by Jeffrey Sconce and Uncanny Bodies: The Coming of Sound and the Origins of the Horror Genre, by Robert Spadoni. Film Quarterly 1 March 2010; 63 (3): 80–81. doi: https://doi.org/10.1525/fq.2010.63.3.80 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentFilm Quarterly Search This content is only available via PDF. © 2010 by the Regents of the University of California.2010 Article PDF first page preview Close Modal You do not currently have access to this content.