Abstract
Pierre Lemonnier’s new book, the excitingly titled <em>Mundane Objects</em>, is mainly a contribution in the author’s long-standing engagement with the French anthropological tradition of <em>technologie culturelle</em>, of which he has become probably the most important active proponent. While this book is definitely in the tradition of Lemonnier’s work since the 1970’s, it presents important new perspectives on the place of material culture in society.
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