Abstract
Book Review| June 01 2023 Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno Josh Martin Josh Martin JOSH MARTIN is an MA student in Cinema and Media Studies at the University of Southern California. His research principally explores the aesthetics and politics of slowness, temporality, and the everyday. Search for other works by this author on: This Site PubMed Google Scholar BOOK DATA Giuliana Bruno, Atmospheres of Projection: Environmentality in Art and Screen Media. Chicago: University of Chicago Press, 2023. $45.00 cloth; $44.99 pdf; $44.99 e-book. 360 pages. Film Quarterly (2023) 76 (4): 109–111. https://doi.org/10.1525/fq.2023.76.4.109 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Josh Martin; Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno. Film Quarterly 1 June 2023; 76 (4): 109–111. doi: https://doi.org/10.1525/fq.2023.76.4.109 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentFilm Quarterly Search BOOK DATA Giuliana Bruno, Atmospheres of Projection: Environmentality in Art and Screen Media. Chicago: University of Chicago Press, 2023. $45.00 cloth; $44.99 pdf; $44.99 e-book. 360 pages. In her introduction to Atmospheres of Projection: Environmentality in Art and Screen Media, Giuliana Bruno revisits the myth of Dibutades, the tale of a Corinthian woman’s attempts to capture the image of the man she loves. Bruno notes that this first-century story has often been situated as an origin point for the act of painting, drawing, or imaging (1). Complicating this origin story, Bruno instead suggests that Dibutades committed a precinematic “act of projection” by experimenting with luminosity. Moreover, Bruno asserts that artistic renderings of Dibutades emphasize projection as an environment, an “affective atmosphere” that enables “a transmission of affect” (2). Through this myth and its relationship to modern understandings of cinematic projection, Bruno explores the “projective imagination” and the many... You do not currently have access to this content.
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