Review: Architektur beginnt im Kopf/The Making of Architecture

Abstract

Book Review| March 01 2010 Review: Architektur beginnt im Kopf/The Making of Architecture Architektur beginnt im Kopf/The Making of Architecture; Architekturzentrum Wien; 16 October 2008–2 February 2009 Tülay Atak Tülay Atak Rhode Island School of Design Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2010) 69 (1): 132–133. https://doi.org/10.1525/jsah.2010.69.1.132 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Tülay Atak; Review: Architektur beginnt im Kopf/The Making of Architecture. Journal of the Society of Architectural Historians 1 March 2010; 69 (1): 132–133. doi: https://doi.org/10.1525/jsah.2010.69.1.132 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search The space between instruments of design and design itself is a contested territory in architecture and its histories. With the introduction of new technologies of design, representation, and fabrication, this territory has moved to the foreground of contemporary architectural thought. The exhibition curated by Elke Krasny addressed the territory between design and its instruments by bringing together samples of design processes from twenty architectural offices along with displays of standard tools that have been used to design architecture throughout its history (Figure 1). Offices included in the exhibition were culled from a broad historical and geographical range. There were figures from early-twentieth-century modern architecture (such as Antonio Gaudi, Alvar Aalto, Lux Guyer, and Charlotte Perriand); those that belong to the generations that challenged modernism(Yona Friedman, Rudolf Olgiati, Lina Bo Bardi, Karl Schwanzer, and Venturi, Scott Brown and Associates); as well as contemporary offices that included large practices such... You do not currently have access to this content.