Return to innocence? Diaspora screen media and “New Ethnicities” in the moment of diversity

Abstract

ABSTRACT This article revaluates Stuart Hall’s influential essay “New Ethnicities” for the study of diaspora screen media. In “New Ethnicities”, published in 1988, Hall famously declares that we have reached the “end of innocence”, having identified a shift in how race was then being articulated in the work of a new generation of British-born black and Asian film-makers. However, while Hall was excited by the promise of these new ethnicities, this article argues that there has been a shift back to the previous state of innocence, a consequence of racial neo-liberalism and the emergence of “diversity” discourse. The remainder of the article examines the implications of this reversal for research on the representation of race. While Hall’s optimism may have been premature, the article argues that “New Ethnicities” nonetheless contains a mode of critical enquiry that is crucial to our understanding of contemporary diaspora screen media in this moment of diversity.