Retrato falado, Criminoso e Cinema.

Fernanda Sousa Oliveira,José Da Silva Ribeiro

doi:10.37390/ac.v0i0.81

Abstract

This text sought to approximate the Law, Art and Visual Culture through the spoken portrait instrument of art and police expertise that underwent transformations throughout its existence, but did not lose its essence of collabo-rative work. The purpose of this text will be to present the historical process of the spoken picture, the constitutive elements of its language and the image of the other in the cinema through the spoken picture. The methodology used was based on a bibliographical review.

Highlights

This text sought to approximate the Law, Art and Visual Culture through the spoken portrait instrument of art and police expertise that underwent transformations throughout its existence, but did not lose its essence of collabo-rative work
Para sua confecção que haja testemunha ou vítima que tenha presenciado o fato criminoso e esteja disposta auxiliar o trabalho artístico pericial dos profissionais dedicados a esta linguagem visual
O perito em retrato falado necessitava conhecer as técnicas do desenho artístico para transformar adequadamente as memórias do entrevistado em representações do suposto delinquente o mais aproximadamente possível, pois, poderia ser a única pista ou auxílio para a investigação policial no caso em averiguação

Summary

Introduction

This text sought to approximate the Law, Art and Visual Culture through the spoken portrait instrument of art and police expertise that underwent transformations throughout its existence, but did not lose its essence of collabo-rative work. Incialmente o retrato falado era produzido a partir da técnica do desenho artístico associado à entrevista com testemunha ou vítima da ação criminosa para a realização e composição visual da arte final.

Results

Conclusion