Abstract
A great deal of discussion of religious music in schools has been generated in our field. As we become increasingly sensitive to the diverse interests of the multiple stakeholders in public schools, issues of political correctness and pedagogical goals are raised. The author poses questions about religion and music education. To generate a different dialogue on this topic, four vignettes and alternate interpretations of the situations as well as possible unintended consequences are examined. The author describes alternative approaches to music-learning contexts and offers questions to wrestle with while keeping in mind the goal of music for all.
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