Rethinking Kurdish geopolitical space: the politics of image, insecurity and gender

Abstract

Global publics and local actors are increasingly saturated with variegated still and moving images. The important role played by images in world politics, however, remains understudied in the International Relations (IR) discipline. This article argues that the Kurdish geopolitical space is increasingly tied to a new regional and global imagination, which emanates from verbal–visual meaning-making strategies such as narrative reconstructions and pictorial representations (for example illustrations, pictograms, or photographs). The article’s investigation illustrates how the construction of new Kurdish geopolitical imagination became increasingly regionalized and internationalized during the war against the so-called Islamic State (IS), particularly after the Kobane siege in Syria in late 2014. It shows how the war between the Syrian Kurdish forces and the IS involved gendered and aesthetic signification for the global and regional audiences. Such strategies of meaning-making served as vital venues for gendering and making the threat of the IS and its “distant war” proximate, familiar and urgent for otherwise disinterested western audiences. These verbal–visual strategies vitally acted as a transmission belt between individual, state and systemic levels, turning the struggle against the IS into a globalized cultural-symbolic war. The article employs critical visual semiotics and critical discourse analysis to investigate the regional and global politics of image and offers three empirical cases to illustrate its argument: the narratives of the Kobane siege; the cartoon depicting a “Kurdish homeland” and globally circulated Kurdish female fighter photographs.