Abstract
Abstract The late 20th Century artform Responsive Environments comprised interrelations between artist, artwork and audience, wherein responsivity and responsibility to an other, be it the social and/or physical environment of the artwork, could be tangibly evoked. Currently, such self-other understanding has become existentially critical, as the ecological and climate crisis collide with a new dearth of understanding concerning human-ecology and human-human responsivities and responsibilities. This article considers how Responsive Environments offered a unique means for exploring responsivity and responsibility between artist, artwork and audience, and considers what the debates it once evoked might contribute to self-other relations in an age of human-induced planetary rupture, climate crisis, and mass extinction.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
